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Discover the legacy of David Koloane

Standard Bank Gallery presents: A RESILIENT VISIONARY: Poetic Expressions of David Koloane
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Blue Neon
DAVID KOLOANE, Neon Blue, 2011, Mixed media on paper, 95 x 376 cm
David Koloane
Join us on a 3D journey through Johannesburg, inspired by the art and life of David Koloane
Hillbrow point
Fordsburg point
Every day, David Koloane walked from his home in Hillbrow to his studio in Fordsburg.
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Of significance is Koloane’s struggle and triumph, not only in search of a poetic and reflective visual grammar, but also what it means to be modern black subjects under colonial apartheid and democracy. That Koloane has lived through these dispensations tells much about his experience and knowledge regarding the precarious state of being or nonbeing, black and human, dehumanised and rehumanised.”
- DR THEMBINKOSI GONIWE
Hillbrow point
Court point
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Bra Day’s collages are littered with found objects, the detritus of everyday life, resembling the streets he walked on his way to and from the Bag Factory Artists’ Studios, like a flâneur, taking it all in for it to resurface later in his creative executions. His work is variable but his signature unmistakable, be it in drawing, painting, collage or readymade.”
- Makgati Molebatsi
Court point
Wits point
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The sociopolitical conditions created by the apartheid system of government have to a large extent transfixed the human condition as the axis around which my work evolves. The human figure has become the icon of creative expression.”
- DAVID KOLOANE
Court point
Court point
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Koloane, like Baudelaire, was a poet of the city, its airs and its metaphysics. What Calasso said of Baudelaire may be said just as aptly of Koloane: ‘We observe him in his flânerie, mingling with a teeming crowd - and we get the impression that a new nervous system is being superimposed over our own, subjecting it to frequent, minimal shocks and spasms. In this way, a lethargic and barren sensorium is forced to awaken.’ ”
- RICKY BURNETT
Kippies
Kippies
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Koloane is part of a generation of artists whose practice transcended the confines of conventional South African black art understanding in terms of its intent, its evolution as a language, and how this made him distinctly different from some of his contemporaries.”
- DR SAME MDLULI
Mary
Mary
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Talent alone is not enough to be a successful artist; an artist has to be many things to succeed.”
- David Koloane
Fordsburg
Fordsburg
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About David Koloane

South African painter David Nthubu Koloane was born in Alexandria, Johannesburg. He received his art training from 1974 to 1977 at the Bill Ainslie Studios, which later became the Johannesburg Art Foundation.

Since the late 1970s, Koloane has been a pioneer in the development of the black art community in South Africa. He co-founded Johannesburg’s first black art gallery and was the head of Fine Arts at the Federative Union of Black Artists (FUBA). FUBA acts as an agency for Black artists, creating an awareness of their work in South Africa and other foreign markets, while providing classes in music, singing, the arts, and theatre for over 3,000 young people per month. He was instrumental in establishing studio space for black artists at The Fordsburg Artists’ Studios (The Bag Factory) and he founded the Thupelo Workshops in South Africa, a concept that spread to Botswana, Mozambique, Zimbabwe and Namibia.

Committed to the visual art world, Koloane’s art reflects a personal struggle to illuminate the experiences of black South Africans to the world. Koloane is an acclaimed artist, educator, writer, curator and facilitator. He has been recognised and honoured internationally for his contribution to the visual arts in South Africa.

Discover the legacy of David Koloane

Standard Bank Gallery presents: A RESILIENT VISIONARY: Poetic Expressions of David Koloane
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David Koloane

Midnight

Oil paint on canvas

175.5 x 270 cm

The city is an important reference in Koloane’s artwork as a setting where its socio-political drama plays out. Johannesburg in particular has been Koloane’s muse for decades, with him reflecting and documenting its organised chaos.

David Koloane

Three Street Dogs

Mixed media on paper

70 x 99.5 cm

Koloane also used the dog as a metaphor in his work of the late 1980's and early 1990's. Wild mangy dogs scavenge on the streets of the Black townships whilst overweight pampered dogs bark and threaten one from behind fences in White suburbia.

The Mgodoyi series reflects Koloane's thoughts around the negotiations that led to a peaceful handover of power during the first democratic elections in South Africa in 1994.

David Koloane

Baggage

Mixed media on canvas

117 x 196 cm

Koloane’s early works explores the use of found objects which are re-appropriated to make assemblages. An assemblage can be thought of as an artwork that has both a twoand three-dimensional plane. Many of the objects were found along his walks in the city

David Koloane

Mirror

Colour lithograph

33 x 45.5 cm

Koloane also depicts women who work the streets of inner-city Johannesburg. Ladies of the night as he refers to them are the sex workers who line some of the main streets in the city after dark. Koloane portrays them in a sympathetic way without revealing who the real person is behind the veneer of make-up and hairstyles.

David Koloane

Saxophone 1

Mixed media on canvas

130 x 140 cm

Koloane was not only fond of jazz but also grew up around it in the township of Alexandra where he was born. His series of drawings and painting honouring some of South Africa’s great musicians are not only sentimental in that he personally knew some of the artists but also is reflective of how jazz is depicted as a soundtrack of the city in his work.

David Koloane

Coming Down

Linocut print

43.7 x 55.8 cm

The Birds series is a much later series in Koloane’s art repertoire and signals his appreciation for freedom of expression. Much like the dogs, the birds are a metaphor for the tensions that exist between urban and rural life, urbanisation, and nature as well freedom and flight.

Bag Factory

Artist Studios

David Koloane was instrumental in establishing studio space for black artists at The Fordsburg Artists’ Studios (now known as the Bag Factory). Founded in 1991, the Bag Factory made it possible for black and white artists to work together on a professional level, despite the apartheid legislation of that time.

The Bag Factory’s crucial role for the arts in South Africa is confirmed by a long list of celebrated alumni who have gone on to develop international and prize-winning careers. They include co-founder David Koloane, Sam Nhlengethwa, Kagiso Patrick Mautloa, Mmakgabo Helen Sebidi, Bongi Dhlomo-Mautloa, as well as Penny Siopis, Tracey Rose, Kendell Geers, Gabi Ngcobo, Lady Skollie, Blessing Ngobeni, and Bronwyn Katz.